Three’s a crowd
Every time I watch the DVD of the 2004 production of Der Rosenkavalier from the Opernhaus Zurich ( believe it or not, I have seen it more than once! ) I seem to notice something new. It is usually something musical which draws my attention apart from, of course, the fabulous character observations, divine singing, eye-catching costumes and scenery and phenomenal orchestral playing. But this last time I was struck by something which surely must be a deliberate production ploy from Sven-Eric Bechtolf or from Chloé Perlemuter the TV director, that is the use of threes with one person or object coming between the other two.
Those familiar with this production will easily recognise these first two images which show the Marschallin standing between Octavian and his new love Sophie. Although seeming to give her blessing to the relationship and departing on a loving note she does present a very significant barrier between them and one wonders if her spectre will ever leave them.
Following “Marie Therese – Hab’ mir’s gelobt”
Die Feldmarschallin Furstin Werdenberg – Nina Stemme
Sophie von Faninal – Malin Hartelius
Octavian, Count Rofrano, – Vesselina Kasarova
But surely there must be a special significance when Octavian and Sophie sing
“Ist ein Traum” with a tree between them?
The tree appears also as a barrier between Octavian and his first love in “Wie Sie befiehlt, Bichette”
and even in the tender scene between “Du bist mein Bub” and “Warum ist Tag?”
Of course Ochs presents a formidable but humorous filling to the romantic sandwich!
and again in the kitchen scene he is an obviously unwanted and feared third party.
But what of the strange old man?
The figure of Destiny? Fate coming between the young lovers even at the birth of their romance?
And, perhaps most poignant of all ….
After singing the incredibly moving soliloquy “Es ist gut. Geht nur wieder”
the Marschallin pauses in between two chairs. A taste of things to come?

Of course I maybe way off-beam with this theory – there are more example if you look carefully.
Coincidence with the camera angles?
Just pretty picture making?
Any thoughts anyone?
*
HAVE A WONDERFUL WHITE SHIRT WEEKEND!
*












Hey, I hadn’t noticed all that before. Now that you put all these screenshots together for us, though, … Thanks for an excellent excuse for me to start another Zurich Rosenkavalier re-viewing weekend, Maestra!
Things sure are looking rosy already!
Enjoy your weekend, Smorgy – no matter what it brings
I think I need to watch this DVD.
If you can get past your reservations over the VK voice and acting style then it is certainly worth it!
Just watched it. I think you are definitely onto something with the trees/other barriers.
Also, do you know what the blue stuff was in the meat grinders in the kitchen in Act II? Do the Faninals eat Smurfs?
Good choice of study matter for this weekend!
I have to admit to overlooking completely the blue stuff in the kitchen – may need another viewing
edit
That blue stuff in the mincer is remarkable – it makes no progress no matter how much she turns. Those Smurfs must be very tough!
Smurf cooking! let me go over to check what was really in the pot!
love the photos
. i always thought the perfectly-centered placement of that _old_ man was entirely on purpose, and i was always intrigued by the triangle placements of the 3 singers all sitting before the final trio… and noticed that tree in the final duet, but never put them together
. i convinced it’s intentional, with perhaps hidden messages only sharp Eyes can catch!
Perhaps sharp Eyes is just blessed with a little more viewing time than some ! but the compliment is gracefully acknowledged